In New York, we’re always on the go—constantly in transit, endlessly arriving somewhere. But what if we could pause that frenetic pace, capturing the fleeting moment when anticipation and reality meet?
In Flat No. 2 this ephemeral moment is frozen. The project features friends not in the cozy confines of a living room but on the landing, right outside the door. Each subject standing on the threshold, is caught in that in-between space—midway between the rush of the city and the intimate connection of a home. It’s the pause before connection, the seconds where everything hangs in balance. The tension, the quiet, and the unspoken narrative of each shot suggest that the story isn’t in the arrival itself but in the wait. Because in a city where every
moves so fast, sometimes the most meaningful moments are the ones just before the door opens.